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Year 3 Top Essays

AY14/15:

The architectural spectacle of ethnic quarter, Chinatown, is designed in close alignment with Singapore’s economic development and ideological narratives of nationbuilding vis-à-vis forging collective social memories (Chia, Lee, Naidu & Kwok 38). As a “representational system” of Chinese culture that “[reconstructs]…an elemental physical world” (Wigley 156) through the intensive abbreviation of iconic images, Chinatown has become “both the meaning and the agenda of our…socio-economic formation” (Debord 3; original emphasis). I will contend that this overarching function leads to the suppression of alternative imaginings, for insofar as Chinatown is a narrative expression of Singapore’s visionary ideals, it is a preserved representation that offers excessively prescribed interpretations. As a site of visual mimesis attempting to authenticate its own construction of a past spatial-temporal realm, I demonstrate how Chinatown has at best, only presented the city-state with a realistic illusion of our own heritage by examining (i) how its role as a palimpsest of cultural history is constructed out of notions of excess and surplus (ii) the tensions that surface in its straddling of the quantitative and qualitative – between the old and the new, tradition and modernity (iii) how the architectural environment engineers a sanitized sentiment of nationality through the spectacle of calculated nostalgia...

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