At Home with Work (2025) is a hybrid essay film that brings architectural ethnography into dialogue with documentary filmmaking. A component arising from Foundations for Home-Based Work, a four-year national study of Singaporean home-based workers and their domestic environments, funded by the Social Science Research Thematic Grant (SSRTG), the film translates architectural ethnographic research into cinematic inquiry. Attentive to the spatial and temporal rhythms of everyday life, it reads thresholds, tools, storage, light and domestic arrangements as material evidence of homes continually reconfigured to accommodate work. Interweaving the lives of four workers, the film reveals recurring negotiations over space, time and livelihood, and the inseparable entanglement of paid labour with the unpaid reproductive work of cooking, cleaning and care that sustains it, often undertaken by other household members.

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What emerges is a portrait of aspiration and agency. Each young Singaporean has departed from conventional trajectories of stable employment and prescribed achievement to pursue something less certain but more self-authored: autonomy, meaningful work, proximity to family and a different rhythm of life. Their homes accommodate these ambitions while absorbing their pressures, including the growing demand to render private lives visible as consumable content. Through an architectural ethnographic lens, the film reveals domestic space not as a passive backdrop but as an active, affective condition through which livelihoods, relationships and identities are continually made and remade. Neither refuge nor workplace alone, here the home is a flexible infrastructure of economic production and social reproduction. At Home with Work asks what happens when homes increasingly absorb our working lives, and who bears the invisible costs of sustaining the delicate balance between livelihood and care.